𝐀𝐧 𝐄𝐱𝐜𝐥𝐮𝐬𝐢𝐯𝐞 𝐰𝐢𝐭𝐡 𝐏𝐞𝐦𝐚 𝐘𝐚𝐧𝐠𝐬𝐞𝐥 𝐍𝐨𝐫𝐛𝐮

Pema Yangsel Norbu, an independent filmmaker and student, is currently in the final year of her Bachelor’s Degree in Mass Communication at Royal Thimphu College. Recently, she garnered significant recognition by winning the Silver Khadar award at the Beskop Tshechu Film Festival for her documentary film, “Without Light.” This documentary delves into the life of Gyeltshen, a physically challenged man, and highlights the crucial issues of accessibility and inclusivity in Bhutan. Balancing her academic pursuits with her passion for filmmaking, Pema has shown remarkable dedication and talent. Her achievement at the Beskop Tshechu Film Festival marks a significant milestone in her budding career, positioning her as a promising voice in the Bhutanese film industry. Through “Without Light,” Pema not only showcases her storytelling prowess but also advocates for a more inclusive society, demonstrating the power of documentary filmmaking as a tool for change.

Q. What inspired you to pursue a Bachelor’s Degree in Mass Communication?
A. Since I was a child, I was interested in fields revolving around media. I was very active on social media and always engaged in creative activities. When I was offered this course, I thought it matched my interests, and I was curious about the mass communication program at Royal Thimphu College. After reviewing the course description, I was excited to learn what was offered in the module descriptor. That’s how I became a student of mass communication, and I always tell my parents that I was fated to become one because it aligns with my interests.

Q. Can you share the challenges and obstacles you faced as a filmmaker and also as a student?
A. Balancing filmmaking and being a student meant handling many responsibilities simultaneously. Managing my time was challenging, as I had to divide it between academics, filmmaking, and personal matters. As a first-timer and not a professional filmmaker, it was tough to do things while also learning. Without a team, partners, supporters, or sponsors, I had to handle everything independently. This experience tested my bravery and strength, helping me grow. It was thrilling, and I am thankful for the hardships and challenges.

Q. How did you initially plan to film your first documentary?
A. Initially, it was just part of an assignment. As a mass communication student, I had to create my own work, and I chose filmmaking, specifically a documentary, as my project. Experiencing it from scratch for the first time, it started as a project but turned out well. I didn’t expect my film to come this far, and I see it as a reward for the hardships and challenges I faced.

Q. Who and what are your motivations?
A. While searching for a topic for my documentary, I was lost. Then, I came across Gyeltshen on TikTok, where he was advertising his products. I was curious and researched, contacted, and met him. After a few conversations, I was motivated by his resilience and creativity. My story evolved to focus on accessibility and inclusivity, rather than just his business.

Q. Can you elaborate on the themes that your documentary explores?
A. My documentary mainly revolves around accessibility and inclusivity in Bhutan. It also touches on negligence and how Bhutanese people support those who are physically challenged.

Q. How does it feel to win the Silver Khadar at the Beskop Tshechu Film Festival?
A. Winning the Silver Khadar was deeply fulfilling and enriching because it validated the effort and time I invested in the film. It was a memorable and wonderful moment, especially as it was my first time winning such an award.

Q. What do you hope your viewers take away from your documentary?
A. I hope viewers realize the importance of accessibility and inclusivity. We often neglect these aspects because we don’t know what it feels like unless we experience it ourselves. If my film can change the mindset of at least one person, I feel I’ve done my job.

Q. What do you see as your role in addressing societal norms like accessibility and inclusivity?
A. Through filmmaking, I aim to highlight stories and raise awareness about important societal issues. Even if we can’t reach the whole world, changing the minds of a few people and bringing minor changes means us, as filmmakers, have done our job.

Q. What are your future plans or projects in the world of filmmaking, particularly in promoting awareness and change?
A. I plan to continue filmmaking as a career because it is my passion. I want to create documentaries and films addressing societal issues that need attention. Currently, I am working on a film about a colon cancer survivor, addressing issues like negligence and balancing traditional rituals with scientific methods. My interest lies in bringing impactful stories to light and promoting change.

Message:

While I am still learning and new to this, I was surprised to see only two females participating in the entire Beskop Tshechu. I encourage more women to step forward in this field. Many of my friends hesitate, feeling it doesn’t suit them or lacking confidence. I hope to see more women embracing such platforms.
I urge everyone, regardless of position or background, to support young people passionately engaged in the film industry. We often feel unsupported or excluded, but even verbal support can make a significant difference, motivating us to continue our work. This is the message I consistently share with those around me.